Poems

SISTER PICKS ME UP FROM THE AIRPORT

You’re on your way to pick me up at LAX again, where the traffic is as endless as California’s highways. I can hear you screaming already in your grey prius, even with the windows rolled up:

why does he live on the east coast; can’t he fly in somewhere closer; who are all these clowns in my way as you weave in and out of cars, find your way through the sun-stained faces of drivers who should have their licenses revoked, drive deeper into the concrete tangle unable to hear your Chill Out Instrumental Beats playlist until you arrive at my terminal in one piece. Finally I step into the car and you drive us to our usual spot where the familiar questions are asked: how was the flight, how’s work, how are you as we look through the steam of hot tofu soup

Atom

“Matter alone can touch or be touched.” (De Rerum Natura)

To the restless atoms constantly in motion: I have inherited your need for constant connection and immortality. Your mission is to touch and be touched, to bond both with like and unlike, to arrange and recombine in new configurations of the same. Without you we wouldn’t have the chance to be nothing. We’d still be a something, a lesser thing compared to other things who have it sorted out (beings), yet-things seeking to become the possibility of persisting as more than an accidental arrival attempting to make itself an indivisibility.

Mythology

Before I put the fig in my mouth, you tell me a wasp has been inside it. What prevents you from eating it is knowing this, and that the females have it worst: they die

once their eggs are planted inside somewhere beyond the syconium, eggs that were fertilized by their brothers long before their sisters grew their wings, wings they are destined to lose on their way into a fig. Who asked them if they wanted to be fated to fruit the rest of their lives? Who warned them the trail of a scent could change everything?

Circle

Circle

It’s you again, glowing in technicolor. Your face is haloed in a perfect circle. Behind you are waves, glass rippling. I want to reach across the distance, as if to step through a portal to find you where you are, somewhere I’ve only read about. I know so little still. How to hold you without stuttering. How to send my laughter without obstruction. The past accompanies me everyday, renders every message with a shock to my chest. I fumble again, and that’s when you step through with a rock in your grip, as if to say this is harder. The Greeks merely pondered the same mountains you are climbing. You step further and tell me to grab, to bring with me what I’d rather forget. Hold there and here, you say, I know the way up.

Song of the crickets

Song of the crickets

I ask you to describe the scene. You respond with a moonlit sea of crickets. A trail ahead of us converging into a single point beyond the trees.

You have your headlamp with you but decide the darkness is where we belong. You’re happy here as I am following the fading sun.

There are no questions for once. They come up only after I become a stranger upon leaving you. I step back into the subway station, accidently going

WORK MEETING IN THE DEPARTMENT OF PSYCHIATRY

The problems are multi-factorial: mislabeled data, unstandardized input streams, the constant search for certainty in categories: aggressive behavior, generalized anxiety disorder, risk of harm to self

and property, each with their own modifiers that seem only to multiply along a spectrum from mild to moderate to moderately severe to a shape more

unknown than what a name suggests on top of the urgency for future funding and the need to be productive, to prove that something but talking

CHILDREN IN THE PARK

CHILDREN IN THE PARK

There they are, running around, biking in tye-dye T-shirts. It wasn’t always the case that they were always able to do this. They were once only merely capable. All they could do was stumble before the imperative to rise raised them up into the air where they disappeared, became the wind itself while riding on a two-wheeled machine fast enough to warrant the worry of people once like them, of the humans who made them: the machines, the children, the tye-dye T-shirts flapping against the sky.

Allure

The allure of distance. Something beyond reach I can never know. Trains rumbling over rust outside my window. Engines startled into going nowhere fast. How long

have I been here, listening? What songs remain possible to sing? Ant hills and galaxies are assembled every day. But the mind is slow to catch up.

It is busy determining itself in the mirror of its name. How quickly it forgets even that when, rushing off into the horizon

Moving

Hollow out the rooms. Compress every detail into boxes locked in permanent ink: kitchen, bedroom, handle with care, fragile. It takes awhile. Even after settling the dust that licked our letters. The sediment of sentiment that adorned our dreams. The sigh sagging from your mouth. The key in the clumsy crook. How hard we tried to make a dwelling. Something of ourselves in the brief breath of what we knew to be our lives. The air remains still to be breathed. Remember the floorboards who took you in. How every step managed to impress them. Those who would not forget.

Line of fire

It’s you and me standing on the edge between two subway cars riding the seven line hands holding the rails facing each other on our way to a Mets game our faces are pressed into the afternoon hair waving watching the city pass us by with smiles unsure what the next stop is happy not knowing where the cops are stationed since we are committed to acts of violence against deadened hearts; our eyes catch the gaze of children moving the opposite direction we are role models in our histrionic display of true affection now you’re screaming fair play every strike every swing I’m in your line of fire even the moths don’t know the difference between the stadium lights that frame our smiles and the rising flame between a home run and a kiss what was once a bubble is now the whole of the crowd this game is us swinging keeping time at bay